Aristocrat’s Misfortune (horseshoe painting #5)
How many times can one paint the same horseshoe? This is the 5th time I've attempted to brand a painting from a set of shoes that came from a equus caballus named Blueblood.
The previous iv paintings composed the horseshoe then that it was more or less facing up. In folklore this was always a symbol of good luck. I guess the theory goes: the horseshoe is facing with its open cease upward to catch and hold good luck – or something like that.
Information technology was fourth dimension to buck the tendency – pardon the pun. For this painting I obviously turned the horseshoe downward. That's why I titled this work of art "Blueblood'due south Misfortune".
These horseshoe paintings are incredibly neutral in hue so information technology makes consummate sense to work with more often than not neutral colors on my palette. Why make paint mixing harder than it needs to exist? Those of you who read my posts regularly know I like working with 5 neutrals on my palette. Those colors being: white, blackness and 3 grays in between that brand upwards a smooth value transition. I find mixing complimentary colors merely to neutralize to be a sloppy procedure that gives inconsistent results. There's nothing wrong with using black paint.
I besides mix up separate strings of oil paint based off of the neutral colors. Typically 1 ready warmer, made with raw umber. Another paint cord consisting of burnt sienna. I will likewise mix up a slightly cooler cord with some cobalt blue. All of these strings are highly neutral (low-blush) and only contain a small-scale corporeality of non-neutral colors. They usually have 5-7 steps ranging from night to light. In my younger years I would accept way overdone the colour, but now I know differently. Information technology's amazing just how neutral most things are in their natural, realistic state. This is precisely why I embrace the employ of grays on my palette.
Source: https://helloartsy.com/horseshoe-painting-5/
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